Smart, slick and funny, Trevor Noah, South Africa’s favourite comedian is back with Pay Back The Funny – his best show yet. Recorded Live in Johannesburg at his sold out Lost In Translation Tour, this is his first one-man show since It’s My Culture in 2013. Having sold out theatres everywhere from Auckland to Chicago and replacing Jon Stewart in the hot seat at Comedy Central’s The Daily Show in-between, Trevor gives his unique take on the funny side of life in South Africa. Pay Back The Funny is typical Trevor – irreverent, interesting and irresistible!

Pop culture writer and aspiring novelist Vanessa Sills lands the interview of a lifetime with the illustrious, elusive and reclusive mystery author Martin Clayborne in his quaint rural town only to realize her own aspirations, dreams and romantic life have taken a back seat along the way. When Vanessa returns home to Portland and a mysterious gift arrives from Martin, she then makes a surprise decision, and finally takes her own advice to “go boldly in the direction of your dreams and live the life you imagine.”

The Trick tells the story of world-renowned Professor Philip Jones; Director of Climate Research at the University of East Anglia, who back in 2009 found himself at the eye of an international media storm and the victim of cyberterrorism. With time running out against an unseen enemy, The Trick looks at the potentially devastating consequences to humanity from climate change denial; how a media storm undermined public confidence in the science and how the concept of ‘truth’ took a back seat causing us to lose a decade of action.

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna’s Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

It’s Christmas with the Chandlers but no one seems to have the Christmas spirit – except for Stephanie, that is. Marci and Blair are obsessing over being the perfect parents, Myra and Donald have retired and suddenly feel useless and Elizabeth is bending over backwards to get a promotion at work. Add to that Stephanie’s blooming romance with Lawrence – who is torn between being with her and continuing his mission work – and Christmas seems to be taking a back seat. That is, until a group of kids at an orphanage helps the family to realize that there’s more to Christmas than wrapping gifts and baking cookies.

Often in the backseat and a second priority to her partner, a lawyer decides to end her relationship and focuses on herself with a help of a man out of her league.

Melanie Ballard (Natasha Henstridge) is a hard nosed police chief in the year 2025. She and a police snatch squad are sent to Mars to apprehend a dangerous criminal James Williams (Ice Cube). Mars has been occupied by humans for some time and they have set up mining facilities. The mining activities on Mars have unleashed the spirits of alien beings who gradually possess the bodies of the workers. It soon turns out that catching the dangerous fugitive takes a back seat as the alien spirits begin to rid their planet of the ‘invaders’.

Alex (David Hess) is a darkly sinister thug driving around New York City at night when he spots a young woman (Karoline Mardeck) driving alongside him. He follows the woman to a nearby park where he cuts her off, gets out of his car, and runs into hers where he throws her into the back seat and proceeds to savagely rape her before strangling her to death. He takes her locket as a trophy to another one of his many killings.

A man awakens in a car wreck at the bottom of a steep cliff. He can’t remember who he is or how he got there, but a report over the radio fills in some of the blanks, as it describes a violent bank robbery and names a perpetrator who happens to be sitting dead in the back seat.

Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.

Daniel, a brilliant lawyer who is about to become one of the state’s youngest judges, is driving with his fiancé Jenny when they hit another car. She wakes up to learn the other driver is dead and she’s being charged with manslaughter. Before help arrived on the scene, Daniel shifted Jenny to the driver’s seat to hide his culpability. Desperate to get her life back, Jenny sets out to convince the vengeful dead driver’s wife that she’s innocent–only to realize that Daniel is determined to keep the truth secret.

Year 1977, a September morning in Ankara… Yilmaz tries to rush his pregnant wife Neriman to the hospital and he crashes into Omer’s car. The causes Omer’s pregnant wife Inci, who was in the back seat, to have a pre-term labor. The babies are born on the same day. They see each other for the first time… This accident is the threshold of the coincidences that bring Ozgur and Deniz together. They come across each other in Ankara several times during their childhood and youth. Each intersection has a butterfly effect, resulting in drastic changes in their lives. They sometimes cause disasters, sometimes miracles. However, they can never be together. Whatever it is that brings them together, manages to build a transparent wall between them. Until they come across each other again in Istanbul, 25 years later… –Anonymous (imdb)